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- computer program
- 문화
- The Art Institute of Global
- 미술영어
- English
- 개인전
- 영어 성경
- digital work
- Exhibition
- 여행
- 예술
- 미술 여행
- 미술에서 쓰이는 영어표현
- 미술
- 안선애
- sun ae ANN
- Modern art
- 2025
- 글로벌 미술연구소
- 글로벌 정보
- DIGITAL ART
- The artwork
- 한글 성경
- 문화 예술
- Variable size
- 터키 미술사
- 터키 풍경화
- Digital printing
- a computer program
- solo exhibition
- Today
- Total
The Art Institute of Global
Joseph Mallord William Turner 본문
About the Artist
Joseph Mallord William Turner
b. 1775 London, d. 1851 London painter; draftsman British
Joseph Mallord William Turner's father, a barber and wigmaker, recognized his son's artistic talents early, asserting that "my son is going to be a painter." Before enrolling in the Royal Academy, Turner gained some drawing experience in the offices several of London's leading architects.
He first exhibited watercolors of architectural subjects and then experimented with scenes from literature and scenery designs for operatic productions. In his early twenties Turner's focus changed to historical landscapes. These large-scale paintings became increasingly divorced from nature and featured the loose, luminous brushwork and abstract conceptions for which he became known. At twenty-nine, Turner opened his own gallery in London while also painting, exhibiting his own work, and teaching at the Royal Academy.
A trip to Italy at the age of forty-four drastically altered his style, leading to his late emphasis on the power of color and light to create dramatic, evocative scenes. Turner's body of work includes around three hundred paintings and over twenty thousand drawings and watercolors, the majority of which were given to the English government upon his death. Most are now owned by the Tate Gallery in London.
Joseph Mallord William Turner
British, about 1834–1835
Watercolor and bodycolor
11 1/4 x 17 5/16 in.
88.GC.55
Questions for Teaching
Describe the setting.
What do you notice first, what more can you say about this picture? (Almost abstract marine scene, strong contrasting and complimentary colors.)
What do you think is happening in this painting? What visual evidence leads you to your response?
What has this painter captured in this scene?
Identify and describe the areas with translucent layers.
Identify and describe the areas that are more opaque. (Dark blue area on the left hand side.)
Identify areas with dramatic movement . Discuss what makes this area of the picture more dramatic.
from: 2011 J. Paul Getty Trust
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